Review of “Our Daily Bread,” by Guest Blogger Mike Civille
Posted by lisagbrown on November 12, 2008
I’m pleased to introduce Animal Inventory’s first guest blogger, Mike Civille. Civille is an independent filmmaker who has taught film studies at Boston College since 1999. He is currently a candidate for PhD in American Studies at Boston University. Read his review of the film Our Daily Bread, below.
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Nikolaus Geyrhalter’s Our Daily Bread is a film that captures the banal and repetitive nature of mass food production. Through a unique combination of static shots and slow moving cameras, the film tiptoes from the production of one food to another, lulling the viewer into desensitized complacency. Geyrhalter forces the viewer to sit through much of the process uninterrupted, a feature that is sometimes boring and sometimes horrifying. The first third of the film is devoid of any shocking imagery, which gives it the mechanical quality of a museum installation piece. Workers pick fruit, feed poultry, and spray insecticides, while one particularly surreal sequence shows live chicks being fired from a machine into bins, like chirping tennis balls. After a while, the workers processing the food begin to resemble the machines they’re assisting, absent of any reaction, arms moving as programmed. Geyrhalter’s meticulously rhythmic depiction of the process turns the audience into a mechanism as well, a voyeuristic witness with little emotional attachment — that is, until the last half hour, when the pigs, cows, chickens, and fish begin their unfortunate path to the market. By now, the viewers are a part of the machinery, and they must witness this unedited nasty routine as accomplices, their mass desire for bacon, burgers, buffalo wings and seafood the cause of all of this gutting and hacking. If you can make it through the monotonous first half, Our Daily Bread recovers as an effective, beautifully framed and carefully constructed wakeup call about nature, machines, and humans’ place in between. (Distributed by First Run/Icarus Films)