Animal Inventory Blog

Keeping track of animals in popular culture.

Archive for the ‘Conservation’ Category

Monkeys, Marsupials and Emus on Superbowl Sunday: A Salon with Sy Montgomery and Dale Peterson

Posted by lisagbrown on February 7, 2010

While the rest of Boston was glued to Superbowl Sunday TV, a small group of animal-minded individuals gathered in the brick annex of Newtonville Books to chat with authors Sy Montgomery (Walking with the Great Apes) and Dale Peterson (Elephant Reflections). The Pen/New England event wasn’t a typical book reading. In fact, no one even cracked open a book. Instead, the two authors casually entertained the group with stories of how they began writing about animals. And when that was through, the group of us stood sipping wine and eating cheese, chatting up the charmingly humble authors in the tradition of an old fashioned “salon.”

Dale shared a story about how he used to do carpentry for Steve Jobs in the 80’s, and how he found his voice while travelling the world in pursuit of the 10 most endangered primates. Sy extolled her love of Emus, and explained the depression she endured when she left her six-month stint in the outback of Australia. Even though both Dale and Sy have books coming out soon, neither read passages from their books. Instead, they shared a little of themselves: their writing process, their personal relationships with animals, and their experiences with publishers. “When you can’t believe in yourself, and I often can’t, you can believe in the animals you apprentice yourself to,” explained Sy.

Posted in Animal Behavior, Animals, Conservation, Extinction, Human-Animal Bond, Human-Animal Studies, Identity, Literature, Photography, Primates, Representations, Theory | Leave a Comment »

Animals on the Internet

Posted by lisagbrown on August 27, 2009

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Animals are everywhere on the internet, and it seems that every day there are more and more viral stories, videos and photos about animals! In order to accomodate the rapid influx of news and links, I’ve started a Facebook page where I can quickly post these items when I don’t have time to write a blog entry. Here’s a sampling of what you’ve been missing, if you’re not a fan of Animal Inventory on Facebook!

  • Monkey Herds Goats; Farmer Approves: An amazing National Geographic video of a monkey in India that herds goats! She has received no training, and does it on a completely voluntary basis — she was set free by the people who tended to some wounds she had gotten in the wild, but has chosen to stay with them and herd their goats!
  • Green Porno: Isabella Rossellini and Sundance channel team up to create very short films about the reproductive habits of marine animals. GREEN PORNO is scientifically accurate yet extremely entertaining.
  • Chimp Outtakes: Adorable outtakes from footage shot by the Jane Goodall Institute of the chimps in Gombi.
  • Wait Wait, Don’t Tell Me: The NPR news quiz show hosts an episode that’s all about animals!

And there’s so much more! Articles about: a giraffe and an ostrich that are best friends, how Barry White might help sharks mate, an elephant and a dolphin getting prosthetic limbs. Introductions to cool artists who are inspired by animals, like Jen Mastre’s pencil sea urchin sculptures.  Plus I’ve begun highlighting the animal-related work of Animal Inventory’s fans themselves, an astonishingly talented and prolific group of people: for example, the comics of Nick Abadzis, the artwork of Jessica Joslin, the writing of Leslie Irvine.

There’s much more to come. Don’t miss out on your daily dose of Animal Inventory on Facebook!

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Posted in Animal Behavior, Animal Welfare, Animals, Art, Comics, Conservation, Film, Human-Animal Bond, Human-Animal Studies, Primates, Public Policy, Representations | Leave a Comment »

Japan’s Dolphin Massacre: The Cove in Taiji

Posted by lisagbrown on August 7, 2009

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Dolphins have been massacred by the thousands in the town of Taiji, Japan, but until now, not many people knew about it. Thanks to the dedicated team behind the new movie, The Cove, the cruel, ongoing practice of dolphin slaughtering has been exposed. The horrifying truth is that most people in Japan don’t even know this is happening in their own country and — even worse — they don’t know that some of the fish they eat is dolphin meat. They are purposefully being deceived in order to sustain a lucrative and dishonest industry that provides “show” dolphins to aquariums and “swim-with-dolphins” programs worldwide.

As the film opens, director Louis Psihoyos explains, “we tried to do this film legally.” With this one line, Psihoyos sets up the espionage, intrigue and drama of a film that has Hitchcock-worthy, rapid-fire pacing. The Cove stands as a meticulous documentary whose important contribution to animal welfare is only outshone by its contribution to the medium of guerrilla-style documentary film-making. This is storytelling at its most profound, where structure and content intertwine seamlessly to create a narrative that is as exciting as it is informative.

The Cove traces the story of Ric O’Barry, the dolphin trainer for the 1960’s television show Flipper, who feels responsible for contributing to the captivity of dolphins. During brief interludes, O’Barry shares his profound attachment to Kathy, one of the dolphins who played Flipper. She brought him to a greater understanding of why these beings ought not to be in captivity. O’Barry’s perspective is integrated with information from scientists, divers and others who share personal and professional knowledge, creating a holistic portrait of dolphins as sentient, self-aware beings whose suffering is unjustifiable.

As is the case with most thrillers, there are good guys and bad guys, corrupt government schemers, and a genuine danger of being caught. All these pieces provide the framework, but the dolphins and their plight remain at the heart of every wrenching scene, giving the drama a pulsating urgency that fictional thrillers lack.

I’ve heard that some people are fearful of seeing the film because they think they won’t be able to handle the upsetting nature of its content. I hope to dissuade people of this fear. It’s true that there are things that happen in this movie that are incredibly sad to see and even worse to think about, but it would be such a disservice to yourself — and the dophins — if you allow this fear to overtake you. This film won’t destroy you. It doesn’t show you anything you can’t handle. But it will provoke attention and outrage, and it will very likely incite you to take action. In the same way that Al Gore’s Inconvenient Truth inspired moviegoers to go beyond the passive experience of movies — and participate in the experience long after the film has ended — The Cove will inspire everyday people to champion on behalf of the dolphins.

What is happening in Taiji deserves scrutiny. It warrants our attention. And it needs to end.

To take action, visit www.takepart.com/thecove

To find a screening in your city, visit The Cove‘s website

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Dolphins performing in Taiji.                                                                                      The filmmakers with two covert filming tools.

Posted in Animal Behavior, Animal Welfare, Animals, Art, Conservation, Ethics, Film, Fish, Food Animals, Human-Animal Bond, Human-Animal Studies, Public Policy, Representations | 1 Comment »

Charles Siebert’s “Watching Whales”

Posted by lisagbrown on July 13, 2009

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When I interviewed Charles Siebert a few weeks ago, we primarily discussed his recent book The Wauchula Woods Accord. However, this past Sunday the New York Times Magazine published a new article by Siebert, “Watching Whales Watching Us,” reminding me that Siebert’s passion for animals extends far beyond our primate relatives. In fact, his commitment animals extends to creatures that he describes as “about as close as fellow mammals can get to being extraterrestrials.”

I’ve always thought of whales as being rather like colossal elephants of the ocean. As it turns out, this common perception is more accurate than anyone could have predicted. The extraordinary intelligence and deep familial bonds that have recently been identified in elephants are astoundingly similar to the complex traits that are being uncovered in whales. As Siebert explains,

Whales, we now know, teach and learn. They scheme. They cooperate, and they grieve. They recognize themselves and their friends. They know and fight back against their enemies. And perhaps most stunningly, given all of our transgressions against them, they may even, in certain circumstances, have learned to trust us again.

Siebert traveled to Baja to experience an unprecedented interaction between gray whales and humans: one that has been entirely initiated by the whales themselves, birthing mothers who should, by all rights, be violently protective of their new calves.

Has Siebert overstepped the anthropomorphic boundary that he so clearly articulated in our interview? Teaching, learning, grieving, sure. But forgiveness? Gray whales have been brought to the brink of extinction multiple times by human hands, and Siebert suggests that these interactions may be the whales’ expression of forgiveness for the many decades (or centuries) of wrongs we have committed against them. And as surprising as it may seem to some people, he may not be far off base.

Toni Frohoff is the marine mammal behavioralist who Siebert accompanies to Baja. And so he poses the question to her, a person who would probably know the answer better than anyone. She responds:

Those are the kinds of things that for the longest time a scientist wouldn’t dare consider…But thank goodness we’ve gone through a kind of cognitive revolution when it comes to studying the intelligence and emotion of other species. In fact, I say now that it is my obligation as a scientist not to discount the possibility. We do have compelling evidence of the experience of grief in cetaceans; and of joy, anger, frustration and distress and self-awareness and tool use; and of protecting not just their young but also their companions from humans and other predators. So these are reasons why something like forgiveness is a possibility. And even if it’s not that exactly, I believe it’s something. That there’s something very potent occurring here from a behavioral and a biological perspective. I mean, I’d put my career on the line and challenge anybody to say that these whales are not actively soliciting and engaging in a form of communication with humans, both through eye contact and tactile interaction and perhaps acoustically in ways that we have not yet determined. I find the reality of it far more enthralling than all our past whale mythology

To read Charles Siebert’s “Watching Whales Watching Us” in its entirety, click here.

To listen to Charles Siebert and Toni Frohoff discuss their shared experiences with the whales (and their respective new books) on NPR’s “Fresh Air” with Terry Gross, click here.

Illustration by Ivan Chermayeff

Posted in Animal Behavior, Animal Welfare, Animals, Conservation, Ethics, Extinction, Human-Animal Bond, Human-Animal Studies, Literature, Public Policy, Radio, Theory | 1 Comment »

An Interview with Writer Charles Siebert about His New Book, The Wauchula Woods Accord

Posted by lisagbrown on June 22, 2009

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Charles Siebert has made his name as the New York Times Magazine animal writer. In the past several years he has written articles about animal shelters, elephant culture, chimp behavior, and humans’ relationship with the natural world. He has also written several books about animals and nature (for a complete bibliography of Siebert’s work, click here).

Now, Siebert adds to his impressive body of work with the book The Wauchula Woods Accord, in which he explores the lives of retired chimps living in America. Siebert takes us on a coast to coast trip as he visits a number of sanctuaries and zoos that house former chimp actors (and retired medical research subjects, as well). Building upon carefully compiled scientific, historical, biographical and cultural research, Siebert paints a vivid portrait of a species in crisis. In a style that has become Siebert’s signature, he ties this story together through the lens of his own personal experiences, and encourages his readers to see these animals as he sees them: as “primatological doppelganger[s]” of ourselves.

Perhaps most compelling is his relationship with Roger, a chimp who takes an immediate liking to Siebert, and whom Siebert is convinced he met at some point in his life. The quiet and profound friendship that grows between them fuels this book, as much as it fuels Siebert’s desire to see these apes living lives more befitting such intelligent, sensitive beings.

Recently, Siebert very graciously answered my questions about his relationship with Roger, and about his new book.

Animal Inventory: Much of the time you and Roger spend together you simply stare at each other. And yet, it seems that much occurs between you in the course of your endless gazing. At one point you say, “You can learn a lot, I’ve found, from just daring to remain within a chimpanzee’s stare. Far more than you can from a fellow human’s (p 5).” How so? What do you think was happening between you two during those times?

Charles Siebert: The very dynamic, if overtly static, process of daring to stay within another animal’s gaze (especially one as close to us in body and mind as the chimpanzee) is one of escaping the relentless keeper of human consciousness; a process of getting past my restrictive and seemingly exclusive identity as a human and thus throwing open the doors on all the other creatures that I know myself to be, or to once have been, biologically, evolutionarily, and intuitively. That all may sound like some horrible mish-mash of Walt Whitman, Transcendentalism and Buddhism, but there it is. I often feel I’m traveling in place when I look into an animal’s eyes, whereas with another human one has to get past all the self-conscious and pre-possessive entanglements that obtain your own brain. I’m not saying that the inscrutable muteness of an animal and its otherness allows me to endlessly project my thoughts and ideas and will upon them. I’m saying that animals allow me to divest myself of all those things and, to paraphrase Emerson, resign myself to the common biology that breathes through all beings and accompany that.

9780609804681AI: I thought a lot about your book Angus as I was reading Wauchula Woods – mostly because of the contrast in how you communicate animal sentience in each. In Angus, you write the book as a memoir from your dog’s point of view. In Wauchula Woods, you rely on observation, context and history. The circumstances – not to mention the species – in each book are quite different, but did you ever consider writing Roger’s story from his point of view?

CS: In Angus I was more or less operating on the premise that (and now I’m channeling Bogart in Casablanca) it is not an anthropomorphizer that I mind so much, it’s a cut-rate one. All I know is that I kept trying to write that book from my point of view, but the writing seemed horribly bland and flat. And then one day this voice came into my head that sounded to me like the essence of the spirit of Angus: daring, edgy, all attitude and aggression. As the book opens, he’s lying there at the edge of the woods, near death from a coyote attack, and so the sense I try to instill in the reader is that the actual Angus has been somehow transformed by the experience of the attack into a suddenly far more sentient, knowing rendition of his former self, a kind of wry Rilkean dog angel, hovering somewhere between life and death, and seeing both of those anew. With The Wauchula Woods Accord I knew I already had in Roger such an advanced intelligence (and this is based on neurological research into the chimp brain, not anthropomorphic conjecture) that to attempt to write the story from his point of view would have resulted in the very bathos and cartoonishness that I decry in the book with regard to our typical treatment of our nearest biological relative. Thus, it seemed to me the simple and often stark juxtaposition of my expressed thoughts and emotions with Roger’s unspoken ones, would be far more powerful.

AI: You posit that, despite the cages that usually restrict nonhuman apes, humans are “by far the more imprisoned species (p 44).” Can you explain what you mean by this?

pppCS: Well, this goes back to the relentless keeper’s consciousness, and the awkward and often beastly ways in which our own self-awareness causes us to behave, the very need we have, for example, to take a creature like Roger and dress him up as a cellist in an all-chimp orchestra at Ringling Bros., or to simply put him and any number of other creatures behind bars in order to stare at them. I think we do such things, on one level at least, because we’re lonely. We sense that we’re at once a part of, and apart from, other animals and so we want to bring them into our context as coerced companions, ongoing, living glosses on who we are. It’s a primal urge in its own right. Our brain’s added neurons, the ones that allow for our so called higher cognitive functions, are also what give us that sense of isolation from the rest of being. Why, we’ve long wondered, are we the only ones who can turn around and call all other things names? This sense of isolation is, of course, at the heart of all creation mythology, the notion that we humans went astray somewhere, committed some sin and so got ourselves expelled from the rest of nature. But as I say someplace in the book, we were never expelled from anywhere. We walked out: the first upright forays toward new environments and challenges that our earliest primate ancestor made, new environments and challenges that spurred, in turn, the growth of those same added neurons that have since contributed to our sense of isolation. Still, one great source of absolution—and I use that theurgically tinted word in the context of the above creation mythology rap—is now being offered to us by of all things science. More and more studies of other animals—fellow primates like Roger, elephants, whales, dolphins, and certain species of birds—are revealing that they, too, possess in varying measures many of the same highly specialized neurons and attendant behaviors, such as communication skills, social interactions, tool use and cultural transmission of knowledge, that we once thought to be exclusive to us humans. We are not alone after all. We just have no way, at present at least, to speak other creatures’ languages.

AI: In the course of your book you often suggest that our fraught relationship with chimps is partly due to how they remind us of the animality we deny in ourselves. Can you envision a way for humans to accept our own animality? What would that look like? And do you think that chimp welfare is dependent on our ability to accept our animality?

CS: Hmmm, I ponder that one often. One answer, I believe, and it may be somewhat pie-in-the sky, both literally and figuratively, is that if we humans could, in our ongoing need to apprehend the infinite and the spiritual nature of our existence, could learn to redirect our gazes downward rather than skyward, if we could come to better know and embrace the billions of years of biology that it took to go from the one common ancestor of all life to life as it is today in its myriad of forms, we would discover that the infinite, somewhat paradoxically, inheres in the minutae of all life’s making. “God”, in that sense, truly is in the details. I think we as a species are either far too oblivious or dismissive of the wonders of the actual story of life’s emergence. Science doesn’t dispel our wonder. It merely reinvents it. As for how such a new embrace of our own animality and common biology would affect the fate of other species such as chimps, I suppose I could quote the very words of The Wauchula Woods Accord that Roger and I arrive at by the end of our time together: “The degree to which we humans will finally stop abusing other creatures, and for that matter, one another will be measured by the degree to which we come to understand how integral a part of us all other creatures actually are.”

AI: At one point you explain, “Science has obviated anthropomorphism – the crime of projecting our stories upon the animals – by, of all things, repeatedly pointing out to us just how uncomfortably close to our stories so many aspects of theirs actually are (p 134).” By contrast, you seem to embrace a kind of anthropomorphism that uses human perspective as a tool toward a greater understanding of other animals. How have the scientists that reject anthropomorphism responded to your work?

sc0009c0b1CS: I’m not sure I can answer that one except to say that I’m always as careful as I can be in my research, and my interviews with scientists, and in my actual writing, about the so called “spectre of anthropomorphism”. I try to let the science lead my imagination and these days that’s a very effortless dance indeed. Ultimately, however, all we humans have is anthropomorphism. We have to, by the very nature of our own biological alignment, project upon and conjecture about what might be going on within the bodies and minds of biology’s other alignments. What science has forever changed, however, is the substance and tenor of our projections and conjectures. Whereas once we had to proceed from the inherently unanswerable question: what it is like to be in Roger’s day, or a whale’s, or a dolphin’s or an elephant’s, now science has told us enough about the behaviors and the brain structures of these other creatures to allow us to conclude that they all clearly have their own parallel days, ones that are in many ways as complex and woundable as ours, and therefore as commanding of regard and respect.

AI: You cite the work of Eve Abe and Gay Bradshaw, two scholars who suggest that wild elephants are experiencing a collective psychological and cultural breakdown of epic proportions, caused by human interference (habitat destruction, poaching, culling, translocation, etc.). What can we draw from these findings that will inform us about the future of wild chimps?

CS: Wild chimps are experiencing the same encroachment, habitat destruction and attendant breakdown of their society that elephants are. The future of both species, and that of any number of large land-based animals with whom we share the planet, is more or less entirely up to us. We are the ones who’ll have to determine how important it is to us to keep these animals around, how impoverished we’d be without them on the earth. And then we have to make the effort to preserve enough extant wilderness in which those animals can prosper. That, of course, involves very complex, geo-political maneuvering and cross-cultural co-operation and negotiation.

AI: Towards the end of the book, you state that we need “to finally get past ourselves and our story and, through acts of deep, interspecies empathy…to become a part of [other animals’] story (p 175).” On the one hand this seems like a simple request, but on the other hand this requires a radical shift in perspective. Can you explain what you mean by this?

CS: In one sense this involves us human beings collectively coming down off of our high horse, if you’ll excuse the old expression. The more we begin to see and understand ourselves as one more extension of the greater biological forces that created and control all life on earth, rather than as beings apart, entities anointed by some higher authority, the more the “inter-species empathy” I speak of, or what Gay Bradshaw calls the “trans-species psyche”, will be allowed to flourish. This will all still bring us to the same tough decisions and compromises that I alluded to earlier, but what a better premise it is to approach them from such a new collective interspecies empathy, as opposed to the ongoing parochial factionalism rooted in old rival religions and the false notion of human exclusivity.

AI: Finally, do you have any new projects in the works that we can look forward to?

CS: I’m currently completing an upcoming July 12th cover story for The New York Times Magazine about whales and all the amazing new things that we’re learning about them and their culture. I’ve also got a number of new books in the works, one about the hopefully doubtful future of the zoo; a novel about a hardware shop owner who happens to discover the common ancestor of all life on earth; and, finally, a collection of poems.

Image 1: Cover of The Wauchula Woods Accord

Image 2: Cover of Angus

Image 3: Siebert’s new friend, Roger

Image 4: Engraving by Nicolaes Tulp (1641). An image of an ape who is thought to be the first live chimp brought to Europe

Special thanks to Kate Bittman at Scribner

Posted in Animal Behavior, Animal Welfare, Animals, Conservation, Ethics, Extinction, Human-Animal Bond, Human-Animal Studies, Identity, Literature, Primates, Public Policy, Representations, Theory | 6 Comments »

Antennae, Issue 10

Posted by lisagbrown on June 21, 2009

Please visit Antennae‘s website to download (for free!!) the newest issue of the ever-wonderful Antennae: The Journal of Nature in Visual Culture. The theme of the issue is heat. As Giovanni Aloi, the journal’s editor-in-chief, explains:

This issue of Antennae is fully dedicated to climate change. “Heat” pieces together a selection of artists’ responses to climate changes as experienced in different geographical, social and cultural realities. In doing so, we have tried to evenly divide our attention through a range of issues related to and departing from global warming.

Also, towards the end of the issue, please check out my interview with Geralyn Pezanoski, the director of MINE, an incredible documentary about the fate of companion animals during hurricane Katrina.

Antennae Issue 10

Posted in Amphibians, Animal Behavior, Animal Welfare, Animals, Art, Conservation, Dogs, Ethics, Extinction, Human-Animal Bond, Human-Animal Studies, Literature, Photography, Public Policy, Representations, Theory | Leave a Comment »

The Photography of Joe Zammit-Lucia

Posted by lisagbrown on June 2, 2009

“Portraits celebrating the animal as individual, not as mere specimen of species…”

 Photos and text by Joe Zammit-Lucia

 

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“Resignation”

“In the world of animal portraiture I would like to explore the narrow space between the animal as an object … and the animal as human property or as anthropomorphized or aesthetic object. A space where the conversation is about mutual respect between the subject and the viewer.”

  

Hunted

 “Hunted”

“Some scholars see wildlife photography as the modern equivalent of Victorian big game hunting and the colonial attitudes that went with it. We ‘shoot’ and ‘capture’ animals and display the resulting images as trophies — the proud acheivement of an intrepid photographer ‘hunting with the camera.'”

 

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 “Pride”

“In some wildlife images, the animal, while visible to the eye, may not be visible to the mind. It is objectified or hidden in the blaze of color or the abstract pattern or the species behavior or the romanticized magnificence of Nature that is the true subject of the image.”

 

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“Poise”

“The use of the collective [term] ‘wildlife’ leads us to view animals not as individuals but rather as specimens of species.”

 

For more information on the work of Joe Zammit-Lucia, click here to visit his website.

 

All text and images are by Joe Zammit-Lucia. Text is from the artist’s statement. The artist donates all profits from his photography to environmental causes.

Posted in Animal Behavior, Animal Welfare, Animals, Art, Conservation, Ethics, Human-Animal Studies, Photography, Primates, Representations, Theory | Leave a Comment »

Art Ltd.’s Eco-themed Issue

Posted by lisagbrown on April 7, 2009

bird_greenneedleThe March/April 2009 issue of Art Ltd. is all about art that comments on environmental issues. While the whole magazine is a wonderful exploration of contemporary eco-art, of particular interest to me was the cover story about mutant animals. These pieces explore the ways that human relationships with animals (wild animals,in particular), can be confused, irresponsible, and at times adversarial. As editor in chief George Melrod says in his article,

Whether examining genetic modification or the commodification of the environment, whether investigating the unintended consequences of technology or the subtle power struggles implicit in interpersonal relationships, we can always set forth animals to make our case for us, calling them to the stand like so many injured furred-or-feathered witnesses for the prosecution. That these creatures don’t always understand their own malformity or plight only makes their tales more arresting, their situation all the more poignant. In some cases, these hybrids seem perfectly at ease with their eccentric anatomy. Often, however, their defects or dislocations do not seem to their benefit; rather these alterations seem detrimental, capricious, parasitic, imposed on them, or just plain wrong. In their disfigurement or displacement, these creatures do not seem like happy travelers on the Darwinian flow chart toward biological adaptation and collective self-betterment; rather they seem to be the result of a more malignant, distinctly unnatural selection.

Read the entire article at Art Ltd. or pick up the issue at your local bookstore.

(Above: Misako Inaoka, Green-pin Bird, 2006)

Posted in Animals, Art, Conservation, Human-Animal Studies, Photography, Representations, Theory | 1 Comment »

Frogs: The Thin Green Line

Posted by lisagbrown on April 3, 2009

Just over a year ago, I wrote a post about Allison Argo’s Crash: A Tale of Two Species, a film about shorebirds and horseshoe crabs. I’m happy to say that Allison’s unique perspective on animals is back, this time on behalf of frogs. Frogs: The Thin Green Line premieres this Sunday, April 5th, at 8PM on PBS (check your local listings). As Allison explains in this sure-to-be stunning visual feast, dozens of frog species have completely disappeared over the last decade. This film is both her love letter to these strange amphibians, and also a murder mystery. Where have they gone? And what does their disappearance mean for other frogs and other animals … and for us?

Check the PBS website for a remarkable preview of this film.

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Posted in Amphibians, Animal Welfare, Animals, Art, Conservation, Ethics, Extinction, Public Policy, Representations, Television | 1 Comment »

New York Times writer Charles Siebert: The Complete Works

Posted by lisagbrown on March 12, 2009

To read my interview with Charles Siebert, click here.

06oped1901One of the challenges of writing with an agenda — that is, writing for the purpose of helping animals, or bringing greater awareness to animal issues — is that sometimes it seems as though lyricism and the beauty of words must be sacrificed. It can be difficult to imbue the language of public policy, welfare and rights, with the cadence of poetry.  I started my career as a writer — not as an animal advocate, that came later — and so the weight of words matters to me. I am as much concerned with how I say something, as I am with what I am saying.

Therefore, when I find someone who manages to advocate on behalf of animals, while also creating worlds of imagery with his words, I become … shall we say … enthralled. Charles Siebert is becoming increasingly well known for his New York Times Magazine editorials, and below I’ve gathered a bibliography of his writings. Within each article, book and radio piece, you’ll find a searing analysis of human-animal relationships that is hidden inside the folds of personal, accessible, and above all, poetic writing. He manages to educate readers about the plight of animal sheltering in the United States, the inherent conflicts in caring for adult chimps, and the complex relationships between humans and the environment, all in the context of visceral autobiographical writing that engenders rawness and self-discovery, without becoming remotely saccharine. Enjoy the works below, and don’t forget to check out my interview with Siebert

BOOKS:

2009 The Wauchula Woods Accord: Toward a New Understanding of Animals (Scribner)

2004 A Man After His Own Heart (Three Rivers Press)

2000 Angus: A Novel (Three Rivers Press)

1997 Wickerby: An Urban Pastoral (Three Rivers Press)

 

ON NATIONAL PUBLIC RADIO:

7/21/09 Charles Siebert: The Wauchula Woods Accord The Diane Rehm Show

6/13/09 The Surprisingly Social Grey Whale Fresh Air

3/06/09 350: Human Resources, Act three. “Almost Human Resources” This American Life

10/06 Are Humans Causing Elephants to Go Crazy? Day to Day

 

ARTICLES:

06/09 Watching Whales Watching Us New York Times Magazine

03/09 Something Wild New York Times Magazine

05/07 Falling Down Green New York Times Magazine

 04/07 New Tricks New York Times Magazine

10/06 An Elephant Crackup? New York Times Magazine

01/06 The Animal Self  New York Times Magazine

06/05 Planet of the Retired Apes New York Times Magazine

09/04 The Genesis Project New York Times Magazine

03/03 Making Faces New York Times Magazine

 

Click here to see four articles by Siebert published in Harper’s Magazine:

(Please note: You must be a Harper’s subscriber to access the full text.)

05/97 Our Machines, Ourselves

02/93 The Artifice of the Natural

05/91 Where Have All the Animals Gone? The Lamentable Extinction of Zoos

02/90 The Rehumanization of the Heart: What doctors have forgotten, poets have always known

Posted in Animal Behavior, Animal Welfare, Animals, Cats, Conservation, Dogs, Ethics, Fish, Human-Animal Bond, Human-Animal Studies, Identity, Literature, Primates, Public Policy, Radio, Representations, Theory | Leave a Comment »